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Hum of the Druid Raising the New Wing / Braided Industry LP
SNSE072
Eric Stonefelt returns with another meticulously crafted album of crunching, crumbling, crackling modern industrial music. The sounds of metal and machinery and vocal vomit. HOTD constructs audio works of intricacy with such careful attention paid to timbre and texture, each repeat listen revealing a heretofore unnoticed detail or ten. For fans of Daniel Menche, Small Cruel Party, The New Blockaders, Einleitungzeit, Linija Mass...
Scathing and unrelenting, a perverted mix of static, distortion and feedback that harkens back to the mid-90s heyday of loud, sleazy noise. Dog Holocaust is the collaborative effort of Nolan Throop (Kakerlak) and Dan Johansson (Sewer Election) and this CD is a reissue of their first three now-out-of-print cassettes. An absolute must for fans of Macronympha, Incapacitants, Merzbow...
LAST COPIES. The Demons duo of Nate Young (Wolf
Eyes, Hatred) and Steve Kenney contribute a side recorded live
in Chicago in the late winter of '07. Psychedelic and grey like a Tangerine Dream underwater. Vertonen's
track is aggressive and harsh synth noise, not unlike the works of Inhalant or the extreme side of M.B.
On Contort Thine Cells,
New Zealand native Loren Clements (aka Pig Exam)
lets fly with the SHOCK VOLTS - heavy electric razor wire blastage
kicking and screaming from your shreded-out speaker cones. Nothing
dark, dreary, or mysterious here, just the unadorned sounds of getting
shot in the face by a police taser from short range. Twice.
Lorent has been creating the sharp
painful noise for over ten years in both solo and group settings
under various monikers: Downfeed, Zorac5, EggSpecies, Blisstuff,
Balance & the Blossum, Mommy Won't Wake Up, Degenerate &
Enable, and of course, Pig Exam. Contort
Thine Cells is Pig Exam's first pro-pressed
cd and his second release for SNSE, following 2003's Rape of
the Bees cdr.
Neuntöter
Der Plage Last Wish b/w Acid Reign 12" - $14.00
SNSE063
LAST COPIES. Extremely cold and minimalistic
terror drones accompanied by ghastly, inimitable vocalizations.
NEUNTÖTER DER PLAGE is the long-running project
of Ryan Oppermann, aka Redrot/Xombie/Post
Mortem Junkie, and operator of the Skeletone
label. After many cdr and cassette releases on labels such as Truculent
Recordings and Slaughter Productions,
among others, this is the vinyl debut of the project.
REVIEW:
Blood
Ties Webzine review "...this one hits right where it should sounding much like
things that go bump in the night. A truly chilling prophecy."
REVIEW: Heathen
Harvest review "I don't care how evil they say black metal is, this is
the real shit."
Devillock These Graves CD - $8.00
SNSE062/PACrec116
“Devillock is Justin Chris
Meyers on organ, tapes and electronics. He also runs the Tone Filth
label and also plays as Panther Skull. 'These Graves' is his debut
on a real CD, but he has released handmade tapes and CDRs. He offers
four tracks of densely layered sound, knitting all the sounds he
can find together. Slowing down old reel to reel tapes on the title
track provide another dark gesture in this music. Devillock doesn't
play harsh noise as such, but he provides a pretty noise related
drone sound. Minimal piercing sounds, mainly the lower region of
the sound spectrum, making this quite a menacing affair. Noise as
it's supposed to be: menacing, not by the harshness of it's sound,
but by the content of what its sound has to offer. Despite it's
title and bandname, I think it's a much more serious affair than
the average noise attack. Great stuff.” – Frans DeWard,
Vital Weekly No. 494
Spoiled gunk tape roll with the
organ heave and moan. The howl. This is bleak and this is zoned.
Might as well plug and blow out your nose as hard as you can for
25 minutes straight. Panther Skull is Justin C
Meyers (Devillock, Tone Filth
label). Slothwave is Panther Skull’s debut CD.
“Panther Skull is the invention
of Justin C. Meyers, whose other activites include involvement with
Tone Filth, Devillock and others. Under this new pseudonym, however,
Meyers comes up with a more foreboding approach. Here he uses tapes,
organ and electronics to produce a quartet of sinister sounding
moanings that echo and reverberate in some dark, dripping sonic
cave of his own design. Sloth Wave has distinct elements of Mirror
drifting through it, as supernatural gusts of electronic fog roll
in and out of the mix and traces of feedback suddenly rise up like
tiny voices trying to be heard through the ensuing gloom of Meyer’s
bleak blanket of electronic murk.” – The Wire, Dec.
2005
"...Here layers of brutal
droning, ferocious fuzz and other various eardrum shredding devices
are seamlessly soldered together to produce a work that delivers
an almost hallucinatory impact. Sounds that were once identifiable
as just noise slowly take on a form of their own. As Civilization
really begins to slide, these begin to mutate into a more detailed
(and spikier) soundtrack. At its best, Civilization is
the sound of everything falling apart." - The Wire, December
2005
Outside of Iovae, Ron is a member of the long-running
Art Damage radio program and also pulls duty in
the twerked “rock” band Death Beam.
Iovae has shared collaborative releases with Mammal
and Burning Star Core. He has had multiple CDR
releases including some on C. Spencer Yeh’s Drone
Disco imprint, as well as on John Olson’s (Wolf
Eyes, Dead Machines,) American
Tapes label. One of the most impressive of these prior
releases, Quartervois, was reissued in proper CD format
by the German experimental music label Zarek in
2004. Civilization is Iovae’s second pro-pressed
CD release and SNSE is honored to present it to you.
Niellerade
Fallibilisthorstar Hålrum CD - $8.00
SNSE050CD
CD version of Hålrum runs about 6 minutes longer than the LP
and presents the work in its uninterupted entirety.
"Beautiful career-spanning
collection of outside musical thought from this Swedish sound-collective,
with two sides of collaged pieces that span clattering sounds-of-the-junkyard
noise improvisations, the bells of ghost ships long lost to the
tide, beautiful Gregorian/choral tones, fractured jump-cuts that
bring to mind Nurse With Wound circa Spiral
Insana and A Salt Marie Celeste and moments of joyous
free-folk blurt. Recorded between 2001-2004, this makes for some
beautiful deep-listening and should suit fans of early Ghost,
Nurse With Wound, Asmus Tietchens,
Einsturzende Neubauten, The New Blockaders,
David Jackman, Keiji Haino and
The No-Neck Blues Band. ... you get the feeling
this one is gonna be a major item in years to come. Highly recommended."
Volcanic Tongue mailorder
“Really, this is an intensely unpleasurable record. When the
beats do emerge in these four long tracks, they are sick, withered,
fried, dead. I don't mean all of these adjectives in a negative
sense.” – Blastitude 16